The reinterpretation of “Nouvelles Vagues” by Afterclapp follows the proposal of the homonymous movement of French cinema in the 60s: to recreate a version of an original in a non-linear montage. Thus, the hit of the singer and composer from Recife, Barro, with the singer, composer and music researcher Juçara Marçal gains a new twist with the addition of heavier elements suited for the dance floor.