Glitch music is an experimental electronic music genre that emerged in the late 1990s. It is characterized by the intentional use of digital or analog errors, such as skips, stutters, and distortion, to create a unique sonic experience. Inspired by the aesthetics of technological failures and imperfections, glitch music is a celebration of impermanence and unpredictability.
The origins of glitch music can be traced back to the experimental electronic music of the 1960s and 1970s, with artists like John Cage and Karlheinz Stockhausen pushing the boundaries of sound manipulation. The term 'glitch' was coined in the 1990s when musicians began using digital tools to manipulate audio samples and create new compositions.
Some notable artists in glitch music include Oval, Autechre, Aphex Twin, and Alva Noto. Their groundbreaking albums – such as Oval's '94 Diskont', Autechre's 'Tri Repetae', Aphex Twin's 'Selected Ambient Works Volume II', and Alva Noto's 'Transform' – played a significant role in defining the genre's experimental soundscapes.
Glitch music production involves various techniques like circuit bending, software-based manipulations, and hardware hacking. Producers use tools such as MAX/MSP, Pure Data, and custom-built software to create intricate patterns of clicks, cuts, and noise. The use of modular synthesizers, samplers, and effects processors further adds to the complex textures and layers of glitch music.
Glitch music has had a lasting impact on contemporary electronic music, influencing genres like IDM (Intelligent Dance Music), breakcore, and microhouse. Its innovative techniques have also inspired artists in other disciplines like visual arts and design, leading to the emergence of glitch art – a digital art movement that celebrates visual imperfections.