Death industrial music is a subgenre of industrial music that emerged in the late 1980s and early 1990s. It is characterized by its dark, intense, and often disturbing soundscapes, which are created using a combination of electronic instruments, sampling, and unconventional recording techniques. The genre explores themes of death, decay, and the darker aspects of human nature.
Death industrial music was heavily influenced by the earlier industrial music movement, which originated in the late 1970s with bands like Throbbing Gristle and Cabaret Voltaire. These bands sought to challenge the traditional boundaries of music by incorporating experimental sounds, noise, and controversial themes. As industrial music evolved, so did its offshoots – one of which was death industrial.
Inspired by the works of pioneering artists such as SPK, Whitehouse, and Coil, death industrial musicians took the dark themes and abrasive sounds of their predecessors to new levels of intensity. The emergence of labels like Cold Meat Industry in Sweden further helped to establish and promote the genre.
Death industrial music is characterized by its nihilistic, bleak atmosphere and a focus on themes such as death, despair, and human suffering. The soundscapes are typically dense and layered, with heavy use of distorted electronics, feedback, and unconventional instruments. Vocals in death industrial tracks are often distorted or manipulated, adding to the unsettling nature of the music.
Unlike other genres of electronic music, death industrial does not prioritize melody or rhythm. Instead, the genre focuses on creating an immersive experience through texture, atmosphere, and experimentation.
Some of the most influential artists in the death industrial genre include Brighter Death Now, Deutsch Nepal, Genocide Organ, and In Slaughter Natives. These musicians have played a significant role in defining the sound and aesthetic of the genre with their groundbreaking releases.
Notable albums within the genre include Brighter Death Now's 'Great Death' trilogy, Genocide Organ's 'Leichenlinie', and In Slaughter Natives' 'Enter Now The World'. These albums showcase the diverse range of sounds and styles within the death industrial genre, from harsh noise and power electronics to dark ambient soundscapes.