Power electronics is a subgenre of noise music that emerged in the early 1980s. It combines elements of industrial, experimental, and extreme electronic music to create an aggressive and confrontational sound. Characterized by its heavy use of feedback, distortion, and harsh noise, power electronics often involves provocative themes and abrasive vocals.
The genre originated in the United Kingdom in the early 1980s with artists such as Whitehouse and Ramleh. These bands were influenced by the earlier industrial music scene, as well as avant-garde composers like John Cage and Karlheinz Stockhausen. The term 'power electronics' was coined by William Bennett of Whitehouse, who described it as a reaction against traditional rock music structure and melody.
Power electronics is known for its extreme soundscapes, often built from layers of feedback, distortion, and manipulated samples. The vocals are typically distorted or heavily processed, adding to the overall chaotic atmosphere. Lyrics often explore dark themes such as violence, sexual deviance, and psychological torment.
Some key artists in power electronics include Whitehouse, Ramleh, Consumer Electronics, Sutcliffe Jügend, Genocide Organ, and Prurient. These artists have contributed significantly to the development of the genre and continue to push its boundaries with their innovative approaches.
Although power electronics remains a niche genre, it has had a notable impact on the broader noise and experimental music scenes. Its aggressive sound and confrontational themes have influenced a wide range of artists, both within and beyond the world of power electronics. The genre has also paved the way for other extreme forms of music, such as harsh noise wall and death industrial.